Al Culliton Al Culliton

Brunelle

This obscure gem from the Savoy Cocktail Book (1930) illustrates the power of absinthe as the sole base for a sour. Because of the strength of the base spirit, the ratios of this drink are all topsy-turvy in a most intriguing way–two parts lemon to one part each absinthe and simple syrup; a touch of saline is advised. It sits on the edge of being too tart, but this sour’s complex herbaceous undertones keep you coming back for another sip until, suddenly, you’ve finished it.

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Al Culliton Al Culliton

Absinthe Suissesse

This drink name has encompassed a wide range of specs since the turn of the twentieth century, but once it settled in New Orleans, it became the drink that’s still made there today. The now-classic version has aspects of other New Orleans classics, like the Grasshopper and the Ramos Gin Fizz, and its unique combination of ingredients make it sort of like a minty eggnog. The dessert-like drink is said to be the ideal way to begin your Mardi Gras morning.

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Death in the Afternoon

Ernest Hemingway is associated with a fair few drinks, but this is one that he invented, or at least was the first to publish a recipe for. The simple mix of absinthe and Champagne was featured in a 1935 book of writers’ favorite cocktails called So Red the Nose, or, Breath in the Afternoon. Many modern variations add a little simple syrup, which I like for texture here; bitters and a lemon twist push it pleasantly into Champagne Cocktail territory.

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Al Culliton Al Culliton

Absinthe Frappé

The original Absinthe Frappé emerged in the later nineteenth century and was one of the first drinks to put absinthe in a starring role. Taking the traditional concept of chilling and diluting absinthe to bring out its flavors and make it palatable, this elegant cocktail is shaken with ice and served over crushed ice. Though anisette is the traditional liqueur in the spec, I found the combination of crème de menthe and fresh mint to be ideal here.

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