I first encountered this cocktail when I was assigned a story about the Metexa for Punch. Originally, it called for blanc quinquina, blanco tequila, and Swedish punsch, a liqueur with notes of spice, citrus and tea. I was fascinated by the structure of the drink, which leaned heavily on the fortified wine. For this version, the wine stays in the starring role, but I swapped out the moody, broody Swedish punsch in favor of summery apricot liqueur and added a little spicy habanero shrub and saline for dimension.

The Toreador in the Café Royal book is basically a tequila sour with apricot liqueur, but because we had blanc quinquina on our supply list, I added used it as a lengthener that also adds very subtle bitterness and acidity. I put in a little rich simple syrup for texture and balance, plus a really cool salted “sour patch” sugar rim for fun!

The original Tia Juano is a spirit-forward tequila drink with French vermouth (it’s hard to know whether blanc or dry would have been used) and a touch of Campari. I brought the proportions from the book’s 4:3:1 ratio to a more traditional Negroni structure, adding in a touch of apricot liqueur. It’s a really nice summery Negroni variation that’s kind of a bittersweet stone-fruit gummy.

This tequila sour with orange juice and grenadine sounds a lot like a precursor to the Tequila Sunrise, so I created a Jalisco that is a lime-and-orange tequila sour balanced with rich simple and flavored with a touch of habanero shrub. In place of grenadine, I reached for the Campari that was already on our supply list. It makes for a far more balanced “sink” than grenadine and the visual is stunning!

Named for the main character in The Secret Garden, this iced beauty combines the aesthetics of the Fix and the Bramble in a charming presentation. The malty genever base provides a canvas for the classic English flavors of rhubarb, ginger, and blackberry.

Mary’s cousin Colin believes he will always be ill, but Mary and Dickon bring him and his household back to life! Though this drink is non-alcoholic, I took inspiration from the John & Tom Collins, a family of drinks that sometimes called for genever as a base. Sort of a very complex strawberry-rhubarb lemonade, a nod to lemonades as one of the most important teetotal categories in drinks history.

I was fascinated by this kind-but-rugged character when I was a kid–he knew how to do lots of things and had great clothes! In this Yorkshire-inspired theme, I thought Dickon would be a great inspiration for a shandy! Rhubarb, ginger and lime, fortified with a bit of genever flavor a good English ale beautifully!

As you know, punch is one of my favorite things to make and this one takes inspiration from a couple of nineteenth-century recipes that are lovely fruit medleys! I have always wanted to develop a recipe inspired by Punch à la Romaine for many years and, thus I have taken it as my main source recipe, especially the whipped meringue topping!

The original standard-bearer drink of the California Tropical movement (later known as “tiki). This is the first and best example of the Don the Beachcomber method of splitting each element in a Planter’s Punch (rum, juice, sweetener) between multiple products to create complexity. Imitations sprung up almost immediately and the Zombie helped to spread “tiki” around the world.

Another early Don the Beachcomber drink, the Cobra’s Fang originally called for a blend of pot-stilled Jamaican rum and aged Demerara 151. A close cousin to the original Zombie, at its heart is a combination of lime, orange, passion fruit and falernum, with Angostura bitters and absinthe. At Gigantic, we simplify the base to just an ounce-and-a-half of 151 (reflecting the slightly later Kon-Tiki version) and amp up the spiced notes with cinnamon syrup.

Originally the Demerara Dry Float was built on aged and overproof Demerara rums, maraschino liqueur, passion fruit, lots of lime, a touch of lemon, and demerara syrup. It came in a distinctive glass with the overproof rum in a shot glass on the side. The Mai-Kai also served a version of this cocktail for decades.Gigantic's version is similar to the one served at Latitude 29 in New Orleans, which is done in the style of a Daiquiri.

Though some form of the Skull & Bones appears on a 1940s menu from Don the Beachcomber, the version this recipe is based on dates to the 1960s. It was recounted by Tony Ramos, who had worked at Don the Beachcomber locations in Palm Springs and San Diego, as well as the Luau and the China Trader in Burbank. The Skull & Bones is a wonderfully layered cocktail that’s also striking in presentation–and it’s always a favorite on the Gigantic tiki menu.

The Chocolate Martini is an interesting member of our motley ‘tini crew this month, as it claims roots in the postwar era. The possibly apocryphal story is that Rock Hudson and Elizabeth Taylor invented it on the set of Giant (1956), which is a stunning movie that was filmed mostly in Marfa, Texas. The sweet vodka-based concoction was adopted by the ‘tini craze in the ‘80s and ‘90s and it’s still ordered in bars today by lovers of dessert drinks.

The only thing that’s French about a French Martini is Chambord. The black raspberry liqueur produced in the Loire Valley for centuries. The French Martini combines it with a vodka base and pineapple juice and it originated at Pravda in the mid-nineties, introduced to the world by famous bartender Dale DeGroff. It tastes like grandma candy that features unidentifiable flavors but is actually really delicious.

What can one say about this absolute juggernaut of a drink? Though it was invented by Dick Bradsell in 1990s London, it has had a second life in recent years. There are a great many ways to make one, and countless variations proffered by today’s bartenders, but I designed this one to be almost identical to Bradsell’s original spec, with a couple slight changes. I increased the syrup and opted to use vanilla syrup and I added just a touch of saline to enhance the drink’s flavors.

This drink is the only one of this month’s recipes that was invented after the turn of the twenty-first century. It was invented in 2002 by bartender Douglas Ankrah. Originally called the Maverick Martini after a gentleman’s club Ankrah frequented in Cape Town, the drink combined vanilla vodka, passion fruit liqueur and passionfruit purée, and vanilla syrup, with a little glass of prosecco on the side. Since its inception, it has remained very popular in the U.K. and beyond.

It's no surprise that brandies have often been used in cocktails royale and these two drinks are excellent examples of the form. They have the same basic underlying concept: a champagne cocktail with absinthe and bitters and a bit of brandy (apple for the Deauville, grape for the Casino). I also give the option here of using pineapple syrup, which is a nod to the 1925 drink, Train Bleu, as well as Harry Johnson's Gilded-Age Saratoga spec.

I knew I really wanted to have a gin drink in the mix for our Parisian Cocktails Royale theme, and I found this one in a lesser known book called Recette des Cocktails pour 1929 by E. Milhorat and J. Alimbau. Its combination of London dry gin and cherry liqueur, plus Angostura bitters, makes for a spiced fruit-and-pine base upon which to layer dry, bubbly wine. It’s my favorite this month!

The I.B.F. Pick-Me-Up comes from Harry MacElhone’s book Barflies and Cocktails (1927). Its base resembles an Improved Cocktail of sorts, with Cognac as the main spirit and layers of orange, menthol, and eucalyptus from the combination of Curaçao and Fernet-Branca. I chose to put this one over a big ice cube as the base is quite strong—but very delicious.

Something I love about looking at Paris in the ‘20s and ‘30s is the parallels with Italian aperitivo culture. So when I found the Alfonso in Harry’s ABCs of Mixing Drinks, I took it in an aperitivo direction, choosing to style it as an early Negroni Sbagliato-type drink. The combination of rouge quinquina and now-defunct Secrestat Bitter looked too close for me to resist!