The second iteration of the cocktail template known as “Daisy,” this turn-of-the-century version uses grenadine as the primary sweetener and features a variety of spirits as the base, with the most popular choice being gin. I like the idea of making this super citrusy, hence the inclusion of Curaçao, which is a nod to the Daisy 1.0, and three different juices.

One of the only cocktails to be most closely associated with Boston, the Ward Eight is a Whiskey Daisy with orange juice. For our version, I decided to include sherry as part of the base (it appeared in a 1930s Mr. Boston recipe for the drink), use acid-adjusted orange juice, and offer both a long, Daisy version, and a Sour style presentation, as well.

The Jack Rose is a turn-of-the-century cocktail that has that golden age vibe–cool name, cool vibe. And the Pan Am Clipper (basically a Jack Rose with absinthe), a Charles H. Baker, Jr. drink, has the same caché, just a few decades later. There’s a lot of ways to make these cocktails well, but for this version, I cut back the grenadine and added rich simple for improved texture, plus a sneaky small measure of Jamaican rum to add dimension.

The Pink Lady is a drink originating in the 1910s that features a split base of dry gin and apple brandy. Most specs include egg white and some include cream. I based our version on Harry McElhone’s recipe from his ABC of Mixing Cocktails, published in London in 1922, which does include both egg white and cream. Gorgeous color, delicious, and looks so good with a bitters design on top.

One of the most famous tropical drinks of all time, the Piña Colada as we know it emerged in the late 1950s and early '60s in Puerto Rico, though close antecedents had existed before. This is Molly Gajdosik's excellent recipe, which they say was inspired by Garret Richard's spec. It's complicated but so worth it!

The only drink this month that comes from the continental United States, the Rum Runner is a 1970s classic hailing from the Florida Keys. This drink is basically a tropical fruit punch with usual suspects like pineapple, banana, grenadine, and lime, but the wildcard here (and what distinguishes it from other similar drinks) is the berry liqueur (blackberry or [black] raspberry). Some versions are frozen, while others our shaken; ours is flash blended!

I had never heard of this drink before researching this month’s theme, but I really like the combination of coffee and banana in this milkshake-like frozen treat from the Caribbean resorts of the late twentieth century. Layers of different rums, spices, and vanilla go beautifully with the two star flavors.

Drinks traveling under the "Bahama Mama" name have existed since at least the early 1960s, but known formulas date to the 1970s. Usually a combination of rums, lemon or lime, pineapple or and/or orange, grenadine, coconut in some form, and coffee liqueur, the drink in various forms has been popular from Caribbean resorts to chain restaurants for over fifty years.

Though the Sherry Cobbler is far and away the most famous of the genre, the Madeira version is the first known mention of the drink on record. Even more popular than sherry in the eighteenth century, it’s no wonder Madeira made a splash in the new style of iced drinks that emerged in the decades before the Civil War. Stone fruit and ginger compliment the wine and so do the fortifying spirits of brandy and aged rum.

The Sherry Cobbler came on the scene in 1838 and in a matter of years it was known across the United States and was poised to take over the world. A simple mixture of sherry, sugar, and citrus shaken with ice, served over ice with a straw, and garnished with abandon. For this recipe, I stuck to the classic orange and lemon, pineapple syrup (inspired by an 1880s Harry Johnson spec) and a blend of oloroso and PX sherries.

It’s only natural that for a template that centers fortified wine would extend to the third member of the great Iberian triumvirate: port. The first published recipe I can find for a Port Cobbler is in Harry Johnson’s 1882 book. I love ruby or white ports in cobblers and for this recipe I combined tannic ruby port with blueberries and a 1:1 vanilla syrup. I really like currant and cherries spilling out of this drink in a goblet.

Though vermouth became part of the American drinks landscape after the Sherry Cobbler’s heyday, it nevertheless makes a fantastic base for Cobblers. The Torino Cobbler illustrates this point while also reflecting how the Cobbler template has found a home in twenty-first century bar culture, where it sees favorite modern products work their way into recipes.

The original Tom Collins was born out of the John Collins, which was named for John Collin, who was the headwaiter of Limmer’s Old House. The house punch was a gin punch topped with soda. This is my imagined take on what the fictitious Alistair Collin might have made as an improvement on his brother’s punch recipe.

The 1870s heralded the arrival of the Tom Collins in the world of American mixology, which itself had entered a new phase, one of codification through cocktail manuals. Though the Collins is commonly thought of as being served over generous amounts of ice, in this period (1875-1919), it’s often served like a Fizz (sans ice)–another drink that made a splash at this time. There’s also a fair amount of lime during this period, whether it’s split with lemon or on its own.

The Tom Collins had yet another life after World War II. That’s like four lives now! The postwar suburbanization of the United States, combined with the lasting effects of Prohibition, severely narrowed the once-massive canon of American drinks–but the Collins remained. In this period, it solidified into the classic form we know today; meanwhile, the John Collins ditched genever in favor of American whiskey. I added the Angostura bitters based on a 1949 recipe from the Esquire Handbook for Hosts.

I first encountered this cocktail when I was assigned a story about the Metexa for Punch. Originally, it called for blanc quinquina, blanco tequila, and Swedish punsch, a liqueur with notes of spice, citrus and tea. I was fascinated by the structure of the drink, which leaned heavily on the fortified wine. For this version, the wine stays in the starring role, but I swapped out the moody, broody Swedish punsch in favor of summery apricot liqueur and added a little spicy habanero shrub and saline for dimension.

The Toreador in the Café Royal book is basically a tequila sour with apricot liqueur, but because we had blanc quinquina on our supply list, I added used it as a lengthener that also adds very subtle bitterness and acidity. I put in a little rich simple syrup for texture and balance, plus a really cool salted “sour patch” sugar rim for fun!

The original Tia Juano is a spirit-forward tequila drink with French vermouth (it’s hard to know whether blanc or dry would have been used) and a touch of Campari. I brought the proportions from the book’s 4:3:1 ratio to a more traditional Negroni structure, adding in a touch of apricot liqueur. It’s a really nice summery Negroni variation that’s kind of a bittersweet stone-fruit gummy.

This tequila sour with orange juice and grenadine sounds a lot like a precursor to the Tequila Sunrise, so I created a Jalisco that is a lime-and-orange tequila sour balanced with rich simple and flavored with a touch of habanero shrub. In place of grenadine, I reached for the Campari that was already on our supply list. It makes for a far more balanced “sink” than grenadine and the visual is stunning!

Named for the main character in The Secret Garden, this iced beauty combines the aesthetics of the Fix and the Bramble in a charming presentation. The malty genever base provides a canvas for the classic English flavors of rhubarb, ginger, and blackberry.