Originally published in 1939 in Charles H. Baker, Jr.’s Gentleman’s Companion, this drink was invented in Havana–either by Wil P. Taylor or Eddie Woelke, who worked for the Hotel Nacional and Casino Nacional respectively. I was inspired by Juyoung Kang’s spec (which I learned about through doing a story on it for Punch), but I put my own spin on it by choosing to use lemon instead of lime.

This is a bonus recipe this month, as it doesn’t fit neatly into any of our prescribed categories. I took inspiration from two drinks: the Golden Glove, a blended orange-inflected Daiquiri from El Floridita in the 1930s, and the Derby Daiquiri, also orangey and dating from the late 1950s, it was an entry into the Rums of Puerto Rico competition. From these, I created a creamsicle-esque rum sour that’s a great addition to our recipe collection this month.

This is the drink that represents the properly-tiki contingent within this month’s recipe collection. Dating to the late 1940s, this rum sour features tiki favorite falernum, as well as orange liqueur; Trader Vic’s book actually calls for Cointreau, but many modern bartenders use Curaçao. I added a touch of simple syrup as well as Angostura, which has a great conversation with the spices in the falernum.

By all accounts, this drink was first published in a RonRico rum recipe pamphlet. Presaging the Swampwater’s combination of green Chartreuse, pineapple, and lime, this complex rum sour also features crème de cacao. I added vanilla syrup and fresh mint for our Club version, and I also have a tequila-based version on Gigantic’s spring menu with yellow Chartreuse called Fun in Acapulco!

The Bali Bali, hailing from the Bali Ha’i at the Beach in New Orleans, is the lesser-known sibling of the Fog Cutter. At first I was stumped about how to bring all the various spirits, juices, and sweeteners into balance, but when it dawned on me that I could structure it like a 1950s Zombie, everything fell into place. I particularly love this presentation, especially if you can get your hands on a vintage tiki-style Collins like the Siestaware glass pictured.

Here’s a delicious blended Gimlet that’s got a great texture to it. Done in the style of blended Cuban Daiquiris like the Golden Glove, this ice-cold drink combines juniper with spices and tart lime for a refreshing, time-travelin’ good time. This drink was popular at both the China Trader in Burbank and Tiki-Ti on Sunset Boulevard during the 1960s.

This is one of three drinks called the Tropical Itch in the tiki canon. It’s not Harry Yee’s original from the Hawaiian Village (bourbon, passionfruit) or Joe Scialom’s version (vodka, rum, mango) from the Shepheard’s Hotel in Cairo, but the gin-rum-mango version from the Kon-Tiki Chicago. Our version adds in some dark rum and cashew orgeat for richness and texture. No back scratcher garnish cause that’s just not my style (and I think it’s kinda gross).

The Saturn is probably the most famous gin-based tiki drink, at least in the twenty-first century. It began life as Filipino-American bartender Popo Galsini’s entry in the International Bartender’s Association’s World Cocktail Championship in 1967. Galsini’s original spec called for gink passion fruit, lemon, orgeat, and falernum. Our Club version swaps in cashew orgeat for the classic almond variety and opts for a blended version, though many prefer their Saturns flash-blended.

One of the most famous tropical drinks of all time, the Piña Colada as we know it emerged in the late 1950s and early '60s in Puerto Rico, though close antecedents had existed before. This is Molly Gajdosik's excellent recipe, which they say was inspired by Garret Richard's spec. It's complicated but so worth it!

The only drink this month that comes from the continental United States, the Rum Runner is a 1970s classic hailing from the Florida Keys. This drink is basically a tropical fruit punch with usual suspects like pineapple, banana, grenadine, and lime, but the wildcard here (and what distinguishes it from other similar drinks) is the berry liqueur (blackberry or [black] raspberry). Some versions are frozen, while others our shaken; ours is flash blended!

I had never heard of this drink before researching this month’s theme, but I really like the combination of coffee and banana in this milkshake-like frozen treat from the Caribbean resorts of the late twentieth century. Layers of different rums, spices, and vanilla go beautifully with the two star flavors.

Drinks traveling under the "Bahama Mama" name have existed since at least the early 1960s, but known formulas date to the 1970s. Usually a combination of rums, lemon or lime, pineapple or and/or orange, grenadine, coconut in some form, and coffee liqueur, the drink in various forms has been popular from Caribbean resorts to chain restaurants for over fifty years.

The original standard-bearer drink of the California Tropical movement (later known as “tiki). This is the first and best example of the Don the Beachcomber method of splitting each element in a Planter’s Punch (rum, juice, sweetener) between multiple products to create complexity. Imitations sprung up almost immediately and the Zombie helped to spread “tiki” around the world.

Another early Don the Beachcomber drink, the Cobra’s Fang originally called for a blend of pot-stilled Jamaican rum and aged Demerara 151. A close cousin to the original Zombie, at its heart is a combination of lime, orange, passion fruit and falernum, with Angostura bitters and absinthe. At Gigantic, we simplify the base to just an ounce-and-a-half of 151 (reflecting the slightly later Kon-Tiki version) and amp up the spiced notes with cinnamon syrup.

Originally the Demerara Dry Float was built on aged and overproof Demerara rums, maraschino liqueur, passion fruit, lots of lime, a touch of lemon, and demerara syrup. It came in a distinctive glass with the overproof rum in a shot glass on the side. The Mai-Kai also served a version of this cocktail for decades.Gigantic's version is similar to the one served at Latitude 29 in New Orleans, which is done in the style of a Daiquiri.

Though some form of the Skull & Bones appears on a 1940s menu from Don the Beachcomber, the version this recipe is based on dates to the 1960s. It was recounted by Tony Ramos, who had worked at Don the Beachcomber locations in Palm Springs and San Diego, as well as the Luau and the China Trader in Burbank. The Skull & Bones is a wonderfully layered cocktail that’s also striking in presentation–and it’s always a favorite on the Gigantic tiki menu.

This cocktail takes the Daiquiri’s triumvirate of rum, lime and sugar and adds elements from several sours (including the Sophisticate, which was a major influence on this spec) in the Sloppy Joe’s bar manuals from the ‘30s: crème de cacao, vermouth, and egg white. I absolutely love the way this drink turned out, and it’s extra versatile because there are two garnish options: the perennial bitters design or cold weather-friendly dusting of cocoa powder.

Longtime Club members might remember this one from the beta test month I ran back in August of 2020, wherein this drink was called The Tall Man from Havana. It has since become a Gigantic classic, where it began traveling under the name Havana Moon (named for the Chuck Berry song). The inspiration was the “Sloppy Joe’s,” the bar’s eponymous drink that combined brandy, port, pineapple, grenadine, and Curaçao. A very good example of the pre-tiki tropical genre.

The Mary Pickford appears in the Sloppy Joe’s books–a mix of rum, grenadine, pineapple, and maraschino liqueur. I took that inspiration, subbed crème de cacao in for the maraschino, added lime for acid, and a small measure of Cognac for vanilla and dried fruit notes. Pickford was a movie star, director and producer; I named this after her little sister, Charlotte, who was also an actor.

This is a little-known Mojito riff dating from the early 1930s at Sloppy Joe’s. It has everything you’d expect from a Mojito–rum, lime, sugar, mint, and soda–but adds a little bit of “French vermouth,” which I interpret here as blanc (or bianco if it’s an Italian producer). This small change adds a slightly floral note and bolsters the lime’s acidity. I like the channel-knife lime peel garnish here along with a big bouquet of mint, of course.