Ernest Hemingway is associated with a fair few drinks, but this is one that he invented, or at least was the first to publish a recipe for. The simple mix of absinthe and Champagne was featured in a 1935 book of writers’ favorite cocktails called So Red the Nose, or, Breath in the Afternoon. Many modern variations add a little simple syrup, which I like for texture here; bitters and a lemon twist push it pleasantly into Champagne Cocktail territory.

With just a few supplies, you can set your guests up to enjoy a variety of aperitivo classics. Batching the base of rabarbaro amaro and blanc vermouth makes it easy to make a Milano-Torino, Americano, or Negroni Sbagliato with a decidedly springy vibe. After the party, if you’ve got leftover batched base, mix two parts base with 1 part gin or Mezcal for a nice Negroni variation.

Paul Girault’s original Colombe cocktail, served at Café de La Paix, was a modified Champagne cocktail fortified with Cognac and cherry and orange liqueurs. I’ve adapted it to suit our supply list this month, keeping the Cognac and orange liqueur, using grenadine to hint at the conflation of grenadine and cherry syrup, and “improving” the mixture with absinthe and Angostura bitters. The snifter is a nod to the Cognac base.

The French 75 is traditionally made with Cognac or gin, lemon, sugar, and Champagne. I favor the Cognac version–which lives on as a New Orleans classic. I thought it would be fun to make a version inspired by Normandy, using Calvados in place of Cognac and, mirroring the grapes-on-grapes dynamic of the original, to pair the French apple brandy with dry cider in place of Champagne.

Call me old-fashioned, but I love Champagne for New Year’s. Is there anything more classic? Though I do like classic Collins-esque Champagne cocktails like the French 75 (especially the Cognac-based kind), a stirred, spirituous base topped with bubbles is more my speed. This one is somehow wintry and tropical all at once, and ever-so-festive.

The Bellini was invented in the years just after World War II at Harry’s Bar in Venice. The simple mixture of peach puree and prosecco is typically served in short glasses bearing the bar’s logo. Our version is a little more complex because of our Campari- and peach liqueur-spiked puree and the use of Cocchi Americano and soda in place of prosecco–a move I took from another classic Italian drink, the Bicicletta.

I wanted to demonstrate a fancy application for our Club Pimm’s, and I immediately thought of doing a Pimm’s Cup Royale, i.e. topped with Champagne. I also wanted to integrate some of the traditional fruit and mint that are used in Pimm’s Cups and decided a Cobbler format would be the perfect vehicle. Served over crushed or pebble ice, our Pimm’s Royale is, naturally, garnished with abandon.

I’m doing a yearlong series for Keap, a maker of fine candles based in Kingston, NY. It’s been a really fun project to work on, especially because they let me design the drinks around the Labors of the Month, a cycle common in medieval art that I’ve long been obsessed with. Here’s the recipe for January 2022, a stirred Cognac and amaro cocktail topped with Champagne.

This is the cocktail I came up with on the spot during our September 2021 video shoot when I realized I hadn’t developed a recipe to use as the example for the Manhattan Challenge. Love it to this day and still make it!

This punch royale is named for the beachside retreat in Brighton commissioned by George, the spoiled young Prince of Wales. Based on the prince’s preferred drink, Regent’s Punch, this one balances tropical rum with green tea and lemon, all topped off with Champagne.

This is third in my Lords of Misrule series: the Abbot of Unreason, which the Scottish title for the Lord of Misrule. I’m very interested in a couple of aspects of this drink as broader themes in cocktail history and drink development. 1. Fizzy drinks that have a stirred, rather than shaken, base; a subgenre for which it’s far less easy to find examples in the Olde Books 2. How we can take frequently-used flavor combinations (orange and chocolate, banana-nut, apple and cinnamon, etc.) and use them as subtle underpinnings for complex cocktails.

This drink follows a classic Collins template. But it’s a “royale” Collins, meaning it’s topped with Champagne instead of soda. And it’s got this great interplay between the yeasty flavor of the Champagne and the maltiness of the genever.