The inspiration for this recipe is an 1843 formula made by Texan soldiers held by the Mexicans at Perote prison. The recipe called for “vino mascal,” ass’s milk, eggs, and sugar. For our version, I decided to split the base between mezcal and añejo tequila, plus a little crème de cacao and cinnamon, resulting in a smoky, spiced chocolate-and-vanilla eggnog that will please all the agave-spirit lovers in your life!

We've covered a few different fizzes (which emerge in the 1870s), but this one is the golden type (c. 1882), which means that there's no egg white in it, just egg yolk! We'll get into this more, but the "coffee" part comes from the Coffee Cocktail, a drink from our period of interest that contains no coffee but does contain brandy and port. Cacao and vanilla accent this drink perfectly.

This is a riff on the Harvard cocktail, which is basically a Manhattan with brandy in place of rye. But I didn't like the ratios with the port, so I turned it into a kind of Improved Cocktail (my favorite variation on the Old-Fashioned), with a base of Cognac plus small measures of cacao, ruby port, and Alpine amaro. A splash of Champagne makes it feel quite fancy and dries out the cocktail a bit.

The Ladies’ Delight is a brandy, rum, and coffee drink featured in William Schmidt’s The Flowing Bowl, published in 1892. The original spec is topped with ice cream and berries. I've wanted to recreate this drink for years now and this month's theme gave me the opportunity. In addition to Cognac and coffee (in the form of cold brew), it has crème de cacao, amaro, vanilla syrup, and a touch of salt. After a little experimentation, I love the way the styling on this drink turned out.

This delicious little number takes inspiration from several classics, including a variety of brandy sours and punches and, of course, the New-York Sour. A base of brandy, lemon, cacao, and vanilla gets topped off with a classic "claret snap" for a tannic note that fits really well with the dried fruit and chocolate in the drink.

Certainly the least well-known of our drinks this month, but it’s my favorite! This one was first published in the Café Royal Cocktail Book (1937) in London. The name comes from a luxury train line that ran from New York to Chicago. My little tweak to this one is that I suggest nutmeg as a garnish (at least in fall and winter); chocolate and nutmeg are so great together, especially with the juniper and the spiced notes from the aromatized wine.

This cocktail takes the Daiquiri’s triumvirate of rum, lime and sugar and adds elements from several sours (including the Sophisticate, which was a major influence on this spec) in the Sloppy Joe’s bar manuals from the ‘30s: crème de cacao, vermouth, and egg white. I absolutely love the way this drink turned out, and it’s extra versatile because there are two garnish options: the perennial bitters design or cold weather-friendly dusting of cocoa powder.

The Mary Pickford appears in the Sloppy Joe’s books–a mix of rum, grenadine, pineapple, and maraschino liqueur. I took that inspiration, subbed crème de cacao in for the maraschino, added lime for acid, and a small measure of Cognac for vanilla and dried fruit notes. Pickford was a movie star, director and producer; I named this after her little sister, Charlotte, who was also an actor.

By the 1860s, it was common practice to add liqueurs–Curaçao and maraschino in the early days–to the Cocktail’s original formula. The term “Fancy Cocktail” typically denotes this addition and the assurance of a lemon twist, too. “Improved Cocktails” typically layer yet more flavor, with absinthe, multiple liqueurs, or a combination of bitters. The recipe below is technically an Improved Cocktail, though omitting the absinthe will knock it down to the “Fancy” level.

This is third in my Lords of Misrule series: the Abbot of Unreason, which the Scottish title for the Lord of Misrule. I’m very interested in a couple of aspects of this drink as broader themes in cocktail history and drink development. 1. Fizzy drinks that have a stirred, rather than shaken, base; a subgenre for which it’s far less easy to find examples in the Olde Books 2. How we can take frequently-used flavor combinations (orange and chocolate, banana-nut, apple and cinnamon, etc.) and use them as subtle underpinnings for complex cocktails.

This Manhattan variant is inspired by Harry Johnson’s Manhattan from the 1900 edition of his book. The original features the addition of Curaçao or absinthe, so I plugged crème de cacao into that slot, which gives the cocktail a luscious texture. I’ve stuck with Johnson’s choice of garnish, a simple expressed lemon twist, which plays off the deep base notes of the chocolate and quinquina.

This cocktail is based on the Commodore No. 2 from The Old Waldorf-Astoria Bar Book, a Sour comprised of bourbon, crème de cacao, lemon and grenadine. We kept the general makeup of the cocktail, choosing rye over bourbon, lime over lemon, and demerara syrup for the grenadine. A very good variation, I think.

A riff on the Fox River Toddy from the Hoffman House bartender guide (1905). This cold-weather sipper is perfect for November, presaging the holidays with flavors of rich chocolate, malt and nutmeg.

In the olden days of coastal New England, a pineapple on the fence post was a sign of hospitality. It meant the captain who lived there was back from his voyage, ready to regale the townsfolk with his stories. This punch is what I imagine he would have served, on a snowy December evening, with his community gathered around his hearth, pipe smoke in the air and cheer in their hearts.

I came up with this drink while I was in Holland in October 2019. I spent a week there learning the history of genever and the current state of the industry for a story I was writing for Saveur.