This one’s basically a sparkling sling with a little pop of acidity from the cordial. The combination of cherries and baking spices reminds me of eating cherry cobbler (or pie!) outside toward the end of a long summer’s evening.

The fix is one of the great pre-Civil-War templates but, for such a great drink, it doesn’t get nearly enough attention. Our version features a split base of genever and rye, both grain-based spirits and two of the megastars of early cocktail culture. Be sure to garnish with abandon.

Tom Bullock features quite a few fizzy cocktails in his book, but I particularly love the Twilight Cocktail, which is an unsweetened mixture of Bourbon, Italian vermouth, lime and seltzer. I take the edge off the sour notes with our cordial, sink the vermouth to the bottom, and insist on Club soda over seltzer here—the hint of salt is just what this drink needs.

When I was a young art history student, I ran into a lot of works marked “in the style of” or “a painting after” so and so. Bullock was one of the great figures of the pre- Prohibition era and I felt this naming trope appropriate. He typically served cocktails like this up, a refined presentation we honor here.

This Stinger riff more closely resembles the Prince and Brant cocktails, both of which call for bitters to be added to the Stinger’s simple combination of Cognac and crème de menthe. Ours switches out the French brandy in favor of bourbon and adds gentian liqueur and a little salinity, all served over crushed ice, a popular presentation during the postwar period.

This is a take on one of the Old-Fashioned, one of the midcentury period’s favorite cocktails. I have this sense that people of the greatest generation were often ordering “their” drink, with notes to the waiter on how sweet or sour, a splash of this or that. Here, I channel that energy (and a little Midwestern style) with this campy, Coca-Cola-laced riff on the original Cocktail.

This Manhattan variant is inspired by Harry Johnson’s Manhattan from the 1900 edition of his book. The original features the addition of Curaçao or absinthe, so I plugged crème de cacao into that slot, which gives the cocktail a luscious texture. I’ve stuck with Johnson’s choice of garnish, a simple expressed lemon twist, which plays off the deep base notes of the chocolate and quinquina.

This cocktail is based on the Commodore No. 2 from The Old Waldorf-Astoria Bar Book, a Sour comprised of bourbon, crème de cacao, lemon and grenadine. We kept the general makeup of the cocktail, choosing rye over bourbon, lime over lemon, and demerara syrup for the grenadine. A very good variation, I think.

Based on two great drinks of the early twentieth century ― the Elk's (Club) Fizz from the Hoffman House book and the Chicago Fizz, which made its way to the Waldorf-Astoria Bar sometime before Prohibition. In both, the basic fizz template is at play, with the great addition of some aromatized, fortified wine working in concert with aged spirit, citrus, sugar, egg white and soda.

A riff on the Fox River Toddy from the Hoffman House bartender guide (1905). This cold-weather sipper is perfect for November, presaging the holidays with flavors of rich chocolate, malt and nutmeg.