We've covered a few different fizzes (which emerge in the 1870s), but this one is the golden type (c. 1882), which means that there's no egg white in it, just egg yolk! We'll get into this more, but the "coffee" part comes from the Coffee Cocktail, a drink from our period of interest that contains no coffee but does contain brandy and port. Cacao and vanilla accent this drink perfectly.

With roots in the nineteenth century, the Spritz was originally a combination of wine and carbonated water. By the 1920s and ‘30s, the classic Italian refresher solidified as a combination of bitter aperitivo liqueur, wine (or vermouth, see: Americano & Negroni Sbagliato), and soda. In the 1990s, prosecco became an essential ingredient in the Spritz.

The head of the Negroni family isn’t, it might surprise you, the Negroni. The now-iconic drink is actually more like the third generation of the Campari-laced clan. The Milano-Torino was the first to mix Campari and sweet vermouth (a nod to these products’ respective origins), way back in the 1860s.

The Americano mightn’t be just a lengthened Mi-To as previously assumed, but rather a genre of drink that combined vermouth with various liqueurs, especially aperitivo and amaro. Fernet-Branca was a popular option, but Campari won out by the ‘30s.

Sbagliato means “mistaken” or “bungled” in Italian. That’s a reference to the apocryphal tale told about why the Negroni Sbagliato features prosecco—and no gin. The resulting beverage is a delightful cross between the Americano and the Spritz.

There was a period of time in the life of the Spritz, where the bubbly and wine elements were still kept separate, i.e. still wine and soda were used in concert to create a similar effect. Both of the lesser-known spritzes we’re highlighting this week are built this way. The Bicicletta combines white wine, Campari, and soda, and dates from around the 1930s.

The Giostra d’Alcol (“carousel of alcohol”) is from the same period, invented by futurist Enrico Prampolini. It combines red wine, Campari, and cedrata (a citron soda); its original recipe calls for a garnish of cheese and chocolate on a cocktail pick.

Like many of the Black culinarians we’re learning about this month, Thomas Downing was not considered a bartender, but a restaurateur who ran an oyster cellar and catering business. But we know he served drinks at his establishment and, as Cobblers were the order of the day, I opted to create one with Madeira and brandy which were en vogue in New York City during Downing’s heyday.

For this month’s theme, I took a look at the food menus at Borscht Belt resorts–drink menus are generally more ephemeral or nonexistent and hard to find–and even though the words “melon delight” didn’t appear, I thought they’d fit right in. This drink’s kind of an oddball as far as its construction, but it works and is exceedingly refreshing.

After over two and half years of Al’s Cocktail Club, we’re finally making a Bloody Mary! As a veteran of New York brunch services, I am no stranger to this drink and know how beloved they are. I didn’t want to overcomplicate things and I kind of like the idea that one could build this bloody à la minute at their table with a can of tomato juice and condiments. I used the old Fort Defiance bloody mix recipe as my guide.

With just a few supplies, you can set your guests up to enjoy a variety of aperitivo classics. Batching the base of rabarbaro amaro and blanc vermouth makes it easy to make a Milano-Torino, Americano, or Negroni Sbagliato with a decidedly springy vibe. After the party, if you’ve got leftover batched base, mix two parts base with 1 part gin or Mezcal for a nice Negroni variation.

This particular style of milk punch–far milkier than the “clarified” kind–is associated closely with New Orleans, where it transitioned from being served in a large format to individual servings. The traditional base is brandy or bourbon, but our version combines brandy (specifically Cognac) with rye and spikes the whole thing with notes of coffee and chocolate.

Ever since I wrote a piece for PUNCH about the Roffignac, I’ve wanted to develop my own spec. Though we’re taking a bit of a shortcut with this method and not making our own shrub, the à la minute “shrub” works and I love the way the plum and Cognac go together. A great drink for September that straddles summer and fall.

The Sgroppino hails from the Veneto and is traditionally made with lemon sorbet, prosecco, and grappa or vodka; some recipes call for limoncello. In looking at this template, I saw the potential to impart deeper flavors of red fruit, while still creating something that’s absolutely perfect for summer.

The Bellini was invented in the years just after World War II at Harry’s Bar in Venice. The simple mixture of peach puree and prosecco is typically served in short glasses bearing the bar’s logo. Our version is a little more complex because of our Campari- and peach liqueur-spiked puree and the use of Cocchi Americano and soda in place of prosecco–a move I took from another classic Italian drink, the Bicicletta.

The Garibaldi–a simple but sublime mixture of fluffy orange juice and Campari–has skyrocketed to fame in recent years as part of the aperitivo craze. I was inspired to use pineapple juice by my friend Ned King’s Charles de Gaulle, which combines it with Suze, Amaro Alta Verde, and a little salt. Here, I fortified the mixture of the carciofo Cynar and pineapple with overproof bourbon for a very easy-drinking take on the template.

The Fizz as a category was popular in the last few decades of the nineteenth century and the first two of the twentieth. This drink is based specifically on the Ramos Gin Fizz, which emerged in the 1880s at the Imperial Cabinet Saloon in New Orleans. Traditionally, it consists of gin, lemon and lime, sugar, orange flower water, cream, egg white, and soda. I saw an opportunity to play with the citrus, and use Aperol and banana liqueur that combine for a fruity profile, almost like creamy strawberry-banana.

Nothing could ever top the Fort Defiance Irish Coffee; built like a boozy Americano and sweetened with a basic simple syrup, it’s the pinnacle of the form. However, I was intrigued by the idea of adding some tropical flair to this classic, and I like what the lime and banana achieve here. I named this version after the county where the Shannon Airport is located, an important place in the history of Irish Coffee.

This aperitivo cocktail is a hybrid of a Negroni Sbagliato (bitter liqueur, sweet vermouth, prosecco) and a spritz (bitter liqueur, prosecco, soda). Fortified with a small measure of aged gin and winterized with a dose of citrus, it’ll have you embracing January’s chill with flavors of pine, citrus, and apple.

In developing a drink appropriate for ringing in the new year, I looked to the legacy of “Cups,” a genre of drink popular in the nineteenth century. Typically a mix of wine and/or spirits, fruit, sweetener in the form of sugar and/or liqueur, and carbonation, these cocktails are often presented with opulent garnish. Ours is inspired specifically by Claret Cups, which were a popular expression of this template built on French red wine (traditionally from Bordeaux).