This is the “root cocktail” for this month’s programming, i.e. the drink that determined the core of our supply list. I came up with the original Tyrolean Negroni at Gigantic a couple years ago: super piney gin, Carpano Antica and a split measure of Braulio and Sfumato. This updated version comes together beautifully and does a great job of showcasing the blanc vermouth.

Sours are a perennial favorite, but there’s something extra special about them during the winter. This version of an amaro sour gives the drinker a choice between alternating sips of the sour and a shot of amaro, or pouring the amaro on top and drinking the two elements together. I channeled Emily Dickinson for the title.

In developing a drink appropriate for ringing in the new year, I looked to the legacy of “Cups,” a genre of drink popular in the nineteenth century. Typically a mix of wine and/or spirits, fruit, sweetener in the form of sugar and/or liqueur, and carbonation, these cocktails are often presented with opulent garnish. Ours is inspired specifically by Claret Cups, which were a popular expression of this template built on French red wine (traditionally from Bordeaux).

This Yankee classic is basically hot egg nog, which is quite pleasant on a December’s night–or any winter’s eve, really. Our special version for this month’s Christmas in the Club Rooms theme features an interesting mix of elements: brandy and rum (the classic combination), plus Madeira, Batavia arrack (if you’ve got it), and Swedish punsch. I wanted to create a “leather armchair” flavor profile for this recipe and I think I’ve succeeded!

This was the eponymous cocktail from my Lords of Misrule series (December 2020). It celebrates old-fashioned flavors of the season and, by extension, references the late medieval / early modern English and Scottish Christmas traditions. This batch recipe is meant to be divided into small bottles and adorned with little tags, or to be mixed and kept on your bar so that anyone who comes into your home during the holiday season may partake in a festive cocktail.

As you may have noticed, I favor aged spirits in most things and especially in punches. But a great gin punch is a welcome addition to any gathering, so I’ve done the math on my popular Barnstable Punch from last year’s Yuletide class. You can use just London dry gin, just Old Tom gin, or a mix of both as I’ve suggested here, just be aware that you may want to adjust to taste.

I’m doing a yearlong series for Keap, a maker of fine candles based in Kingston, NY. It’s been a really fun project to work on, especially because they let me design the drinks around the Labors of the Month, a cycle common in medieval art that I’ve long been obsessed with. Here’s the recipe for January 2022, a stirred Cognac and amaro cocktail topped with Champagne.

If you were around for Scotch month back in February, you’ll know that I love smoky flavors with grapefruit. This drink takes its structure from the Corpse Reviver No. 2, but borrows the Diki-Diki’s unique combination of Calvados, punsch, and grapefruit. I named this one after Gilbert Rumbold, who illustrated The Savoy Cocktail Book.

I’m not a huge fan of the oft recycled origin stories for cocktails, but I have a soft spot for the one behind the Bentley, which inspired this cocktail. The British racing team won Le Mans in 1927 and the celebration at the Savoy included a signature cocktail built on Calvados and Dubonnet rouge. I took the original formula and added dimension with flavors of juniper, tea, citrus, and black pepper.

Strong, stirred drinks featuring multi-spirit bases are all over The Savoy Cocktail Book. This one was particularly inspired by the Twelve Miles Out cocktail, which featured Calvados, Bacardi rum, and Swedish punsch, and was named for an American silent film that debuted in 1927. Ours is a smoky apple tribute to the stirred and strong drinks served at the Savoy, hence the name.

Here’s a nice little aperitif with multiple inspirations behind it. It’s an ode to the apple brandy highballs from The Savoy Cocktail Book, but also pays tribute to the Norman tradition of Calva-Tonic. We double up the quinine in this version, which gets its tannic baseline from rouge quinquina.

Tavern culture was deeply tied with ports, in part because some of its most notable drinks were born at sea, but also because so much of taverns’ stock was imported. The combination of rum and brandy was a common one in eighteenth-century punches, and Madeira was a wildly popular imported wine. Our punch is flavored with a plethora of other valuable imports: spices, ginger, lime, and tea.

The flip began as a sailors’ drink and swiftly infiltrated the taverns of England and “British America.” There, it became a hot drink ー a mixture of ale, spirit, egg, sugar and spices, and sometimes other ingredients. Flips were warmed and frothed by submerging a hot iron poker, called a flip-dog or loggerhead, that had been heated in the tavern hearth. If you’re “at loggerheads” with someone, try offering them a mug of this ー ‘tis hard to stay angry with such a comfort in hand.

Bumbo, or “Bombo” is a rum sling sweetened, diluted spirit flavored with spices. Rum was a major force in eighteenth-century life, whether it was imported from the Caribbean (that was the best stuff) or produced locally in New England from molasses, the most famous of which was produced in Medford, Massachusetts. Like the whole toddy-sling family, Bumbo is among the nearest antecedents of the capital-C Cocktail.

The flip began as a sailors’ drink and swiftly infiltrated the taverns of England and “British America.” There, it became a hot drink ー a mixture of ale, spirit, egg, sugar and spices, and sometimes other ingredients. Flips were warmed and frothed by submerging a hot iron poker, called a flip-dog or loggerhead, that had been heated in the tavern hearth. If you’re “at loggerheads” with someone, try offering them a mug of this ー ‘tis hard to stay angry with such a comfort in hand.

I’m challenging you all to come up with your own house Manhattan; or a new favorite Manhattan; or your fall 2021 Manhattan! Whatever you’re seeking, I hope these guidelines help you find it.

Apple brandy Manhattans are one of the most delicious (and fall-appropriate) branches of the family tree. We have a great triumvirate here: the dry Star (Harry Johnson, 1900), the sweet Star (George Kappeler, 1895), and the Marconi Wireless (Old Waldorf Astoria Bar Book, 1935).

The Manhattan was a disparate, but powerful, force for the first thirty or so years of its existence. In the years just before Prohibition, and through the ‘30s, the recipe begins to solidify its 2:1 ratio, the bitters overwhelmingly Angostura, and the garnish is usually a cherry.

The earliest versions of the Manhattan resemble quite closely the original Cocktail (spirits, sugar, water, bitters) and feature a split base of rye and Italian (sweet) vermouth. This is an excellent example, taken from the second edition of Harry Johnson’s Bartenders’ Manual.

This is the cocktail I came up with on the spot during our September 2021 video shoot when I realized I hadn’t developed a recipe to use as the example for the Manhattan Challenge. Love it to this day and still make it!