As I was developing this month’s recipes (originating with the Isle of Skye and Cameron’s Kick), I saw the potential for a Rusty Nail-Godfather “mash-up” that would please any fan of stirred, spirit-forward drinks. The resulting cocktail is the best of both worlds–heather and honey from the Drambuie and nutty almond flavor and texture from the orgeat. Though both are associated with the postwar “bachelor drinks” boom, the Rusty Nail dates to the 1930s, far before the birth of the disco-era Godfather.

I wanted to do a fizz for this month (I do so love a fizz!), but all the combos I tried fell flat! Instead, I decided to eliminate the soda element and incorporate a whole egg instead of just egg white, making it a classic nineteenth-century flip. The resulting cocktail, with smoky, spiced, and tropical flavors is an excellent dessert drink befitting any cold-weather gathering.

I developed this drink for Gigantic’s Fall 2023 menu; the original recipe called for genever but, as I’ve often likened the Dutch spirit’s gentle maltiness to that of Irish whiskey, this month’s supply list set the stage for an easy substitution. This sour’s blend of citrus, banana, spices, and honey bolstering the malty and peaty spirits makes for a delightful ode to the birthplace of Drambuie.

The Cameron’s Kick is a 1920s London classic invented by Harry MacElhone at Ciro’s. He brought it to Paris a couple years later, when he bought the bar at “sank-roo-doe-noo” (5 Rue Daunou) aka Harry’s New-York Bar. The spec published here is how we make it at Gigantic, with a split base of blended Scotch and Irish whiskey with the drink’s classic one-two punch of lemon and orgeat plus Angostura bitters and a float of peaty single malt.

I knew I wanted to create a hot drink as part of this month’s programming, something incredibly cozy and comforting. I prefer hot toddies that aren’t citrus-heavy and that read like Cocktails. For some reason, I got it into my head that brown sugar and dates would be the perfect pairing with whiskey, amaro, and woodsy Kukicha tea. Happily, I was right.

This aperitivo cocktail is a hybrid of a Negroni Sbagliato (bitter liqueur, sweet vermouth, prosecco) and a spritz (bitter liqueur, prosecco, soda). Fortified with a small measure of aged gin and winterized with a dose of citrus, it’ll have you embracing January’s chill with flavors of pine, citrus, and apple.

This is the “root cocktail” for this month’s programming, i.e. the drink that determined the core of our supply list. I came up with the original Tyrolean Negroni at Gigantic a couple years ago: super piney gin, Carpano Antica and a split measure of Braulio and Sfumato. This updated version comes together beautifully and does a great job of showcasing the blanc vermouth.

Sours are a perennial favorite, but there’s something extra special about them during the winter. This version of an amaro sour gives the drinker a choice between alternating sips of the sour and a shot of amaro, or pouring the amaro on top and drinking the two elements together. I channeled Emily Dickinson for the title.

In developing a drink appropriate for ringing in the new year, I looked to the legacy of “Cups,” a genre of drink popular in the nineteenth century. Typically a mix of wine and/or spirits, fruit, sweetener in the form of sugar and/or liqueur, and carbonation, these cocktails are often presented with opulent garnish. Ours is inspired specifically by Claret Cups, which were a popular expression of this template built on French red wine (traditionally from Bordeaux).

This Yankee classic is basically hot egg nog, which is quite pleasant on a December’s night–or any winter’s eve, really. Our special version for this month’s Christmas in the Club Rooms theme features an interesting mix of elements: brandy and rum (the classic combination), plus Madeira, Batavia arrack (if you’ve got it), and Swedish punsch. I wanted to create a “leather armchair” flavor profile for this recipe and I think I’ve succeeded!

This drink was created at the Waldorf in honor of an 1894 operetta about a Scottish folk hero. A few years ago, I ordered a Rob Roy from my friend Alex Caffall at Fort Defiance; she said she always made hers “perfect,” i.e. splitting the vermouth between sweet and dry. I’ve preferred them that way ever since.

Mayme Taylor was a famous comedic musical actress in the late nineteenth century. The “Mamie Taylor” cocktail was named for her and was accompanied by a likely apocryphal story about its origins during an 1899 trip she took to Lake Ontario. Regardless, the bones of the drink – Scotch, lime and ginger beer – are great, so here’s our much-more-complex version.

Theater people will know about the superstition around saying the title of a certain Shakespearian tragedy set in Scotland. Scotch gets along very well with honey, ginger and floral flavors. Add a touch of smokiness and this hot toddy riff really shines.

In my research on drinks with links to the theater, I found the “Up in Mabel’s Room” cocktail named for the play (and silent film, and later, talkie) of the same name. A 1919 production staged at the Eltinge 42nd Street Theatre starred Hazel Dawn in the title role. She had left her Mormon family in Utah for the bright lights of Broadway when she was young.

Keeping the equal parts structure of a classic Negroni, this version reduces the pour per ingredient and adds a fourth spirit. The addition of French brandy provides a counterpoint to the gin, which amplifies its pine notes, which are further bolstered by the rosemary-infused Campari.

Combining the traditions of espresso con panna ("with cream") and caffé corretto, this after-dinner drink offers both a digestif effect from the French brandy while also acting as a dessert.

This unusual drink is essentially a reverse Martini that swaps dry vermouth for Riesling, and is then poured over a frozen dome (or cube) of citrus-Campari granita. I named it for a well-turned-out waiter who I envision skiing up to perform a tableside service of the drink for your Alpine après-ski.

The Americano began as a fizzy version of the elemental Milano-Torino, which mixes Campari (from Milan) with sweet vermouth (from Torino, or Turin). It got its name from the American tourists and expats who took to it with enthusiasm, especially during Prohibition.

This punch royale is named for the beachside retreat in Brighton commissioned by George, the spoiled young Prince of Wales. Based on the prince’s preferred drink, Regent’s Punch, this one balances tropical rum with green tea and lemon, all topped off with Champagne.

This punch was loosely inspired by one Charles Dickens described in a letter to a friend back in 1847. The original involves fire and has slightly different ingredients, but I like the vaguely tropical thing this version has going and like to imagine Ebenezer Scrooge drinking it to celebrate his newfound love of Christmas.