As you know, my historically-driven palate favors the spirits that were popular in 19th-century juleps, i.e. rye, Cognac, and rum. For my own julep recipe, I wanted to combine these three in equal parts with a favorite amaro (Braulio or dell’erborista are particularly good here, but there are many that would work!). I also decided to make the garnish do a little aromatic work, hence the nutmeg and shaved coffee bean, which hit the nose along with the mint upon first sip. The sherry float also contributes a nice aroma if desired!

This recipe, based on one from the 1850s, gives a window into what pre-Civil War juleps looked like after ice had established itself as an essential part of the drink. The mixture of Cognac and rye and the slight presence of Jamaican rum illustrate the julep’s former life as a rum drink and the preference for a brandy base during this period while also foreshadowing the rise of rye juleps that would come after the Civil War (see Dabney Julep from our Pre-Civil War Black Tavern-keepers theme). NB: crushed ice is preferred over pebble here.

What’s a julep before it becomes an iced drink? Why, a Mint Sling, of course! During the eighteenth century the eastern seaboard was awash with minty, rum-based slings that also traveled under the name julep. Because we are used to chilled beverages (especially with juleps on the mind), I decided to give this tavern drink the batch-n-freeze treatment; the result is a very pleasing pour that tastes like an aged rum mojito sans ice and soda.

This is one of those great drinks that sprang from the unique mix of ingredients on this month’s supply list. The resulting cocktail is a delightful 2:1 mezcal-and-gin martini with blanc vermouth, saline, optional spicy note, and a touch of honey. Keep a bottle of these in the freezer for when an afternoon outdoor hang turned into an all-evening affair and you suddenly have several thirsty friends at your house.

With just a few supplies, you can set your guests up to enjoy a variety of aperitivo classics. Batching the base of rabarbaro amaro and blanc vermouth makes it easy to make a Milano-Torino, Americano, or Negroni Sbagliato with a decidedly springy vibe. After the party, if you’ve got leftover batched base, mix two parts base with 1 part gin or Mezcal for a nice Negroni variation.

I developed this stirred cocktail recipe for a class I taught online back in March of 2022. Its flavor profile–smoky, honeyed, and bitter–was inspired by those first grilling sessions of spring. It’s strong enough to stand up to a cool evening but fits in well on a warm day, too.

This recipe is an offshoot of a cobbler I developed in 2022. I love this punch version that I adapted for a vernal equinox dance party at my dear friend Michael’s painting studio. It’s fresh and bright with herbal, vegetal, and tannic notes and plenty of botanicals, too, from the blanc vermouth and gin. And the color can’t be beat!

I wanted to demonstrate a fancy application for our Club Pimm’s, and I immediately thought of doing a Pimm’s Cup Royale, i.e. topped with Champagne. I also wanted to integrate some of the traditional fruit and mint that are used in Pimm’s Cups and decided a Cobbler format would be the perfect vehicle. Served over crushed or pebble ice, our Pimm’s Royale is, naturally, garnished with abandon.

Here’s a fun serving suggestion for our homemade Club Pimm’s and our cucumber-lemon shrub: a do-it-yourself Pimm’s bar for your next gathering! I’m happy to say that this concept caters to drinkers and non-drinkers alike, so everyone will feel taken care of at your spring (or summer!) soirée.

I see our Club Pimm’s as a pre-batched cocktail, apéritif, and digestif all in one. It occurred to me that, served in the style of amaro caldo, it would make an excellent, warming beverage for a chilly evening or a rainy Sunday afternoon–both common in April where I live. Adjust the recipe below to suit the size of your serving vessel.

I’ve long dreamt of creating my own homemade Pimm’s. The original Pimm’s No.1 is great, but I wanted to come up with something with pronounced bitterness, more body and oomph. I’m really excited about what I came up with–it is both a complete standalone cocktail and an excellent ingredient in mixed drinks.

Tom Bullock features quite a few fizzy cocktails in his book, but I particularly love the Twilight Cocktail, which is an unsweetened mixture of Bourbon, Italian vermouth, lime and seltzer. I take the edge off the sour notes with our cordial, sink the vermouth to the bottom, and insist on Club soda over seltzer here—the hint of salt is just what this drink needs.

An egg-and-cream-laced sour that hews pretty closely to Tom Bullock’s Dream. We’ve swapped in absinthe for the crème de menthe and, with the addition of our cordial, we’ve given the whole thing a Creamsicle, nay Dreamsicle flavor profile.

Back in February 2020, I had a wonderful trip to the region where Cognac is produced. This drink, a sort-of Negroni, is my recollection of that week in a glass.

This drink follows a classic Collins template. But it’s a “royale” Collins, meaning it’s topped with Champagne instead of soda. And it’s got this great interplay between the yeasty flavor of the Champagne and the maltiness of the genever.

I love flips. From sailor’s drink to tavern classic, this drink morphed into one of the antebellum nineteenth century’s favorite cocktails. And on a beautiful sunny spring day that’s still quite cold, this tropical flip brings the comforting taste of brûléed custard to your golden hour or, fittingly, your dessert course.

When I was developing this drink for a potential slot on Gigantic’s 2020 spring menu (sadly reopening was postponed until 2021), I kept thinking of the nursery rhyme “Mary, Mary, Quite Contrary,” because it’s all about spring flowers and honeybees. And because I’m about 500 years old. Anyway, this song is probably about Mary Tudor, but it may also be about Mary Stuart, commonly known as the Queen of Scots, who was eventually beheaded by her cousin Elizabeth I.

My devotion to fortified wine and obsession with 19th-century cocktail aesthetics makes the Cobbler one of my favorite genres. This one combines my love of aperitivo and olde American drinks. Classic Torino-style vermouth, Campari, grapefruit, Sfumato, and strawberry made for a great combination, especially ideal for spring.

This is cocktail is named for the beautiful hotel that once sat atop Mount Tom. A mix of London dry gin, blanc and dry vermouths, and homemade lime cordial, it’s meant to be less of a Martini riff and more of a stirred Gimlet.

In this interpretation of a cobbler, smoky Mezcal and piney gin team up with off-dry blanc vermouth, lime, cucumber, and parsley for a verdant spring cocktail.